The RapVerse Dataset: A New Benchmark in Text-to-Music and Motion Generation

Table of Links

Abstract and 1. Introduction

2. Related Work

   2.1 Text to Vocal Generation

   2.2 Text to Motion Generation

   2.3 Audio to Motion Generation

3. RapVerse Dataset

   3.1 Rap-Vocal Subset

   3.2 Rap-Motion Subset

4. Method

   4.1 Problem Formulation

   4.2 Motion VQ-VAE Tokenizer

   4.3 Vocal2unit Audio Tokenizer

   4.4 General Auto-regressive Modeling

5. Experiments

   5.1 Experimental Setup

   5.2 Main Results Analysis and 5.3 Ablation Study

6. Conclusion and References

A. Appendix

2 Related Work

2.1 Text to Vocal Generation

Text-to-audio Dataset. There exists several singing vocal datasets, yet they each has constraints. For instance, PopCS [32] and OpenSinger [22] are limited to Chinese, while NUS-48E [8] and NHSS [55] have only a few hours of songs. Nevertheless, JVS-MuSiC [58] and NUS-48E [8] offer a few hours of songs from dozens of singers, whereas OpenSinger [22] provides a more extensive collection with tens of hours from a single singer. Notably, our dataset represents the first to be specifically curated for rap songs of multiple singers with 108 hours.

Text-to-vocal Models. Recent advancements in text-to-speech (TTS) models, including WavNet [40], FastSpeech 1 and 2 [52, 51], and EATS [7], have significantly improved the quality of synthesized speech. However, singing voice synthesis (SVS) presents a greater challenge due to its reliance on additional musical scores and lyrics. Recent generation models [32, 16, 16, 74, 26] perform excellently in generating singing voices. However, their performance tends to deteriorate when encountering out-of-distribution data. To handle this, StyleSinger [73] introduces a Residual Style Adaptor and an Uncertainty Modeling Layer Normalization to handle this.

2.2 Text to Motion Generation

Text-to-motion Dataset. Current text-motion datasets, such as KIT [44], AMASS [35], and HumanML3D [13], are constrained by limited data coverage, typically spanning only tens of hours and lacking whole-body motion representation. To overcome these shortcomings, Motion-X [30] was developed, providing an extensive dataset that encompasses whole-body motions.

Text-to-motion Models. Text-to-motion models [43, 71, 14, 13, 34, 4] have gained popularity for their user convenience. Recent advancements have focused on diffusion models [71, 25, 61], which, unlike deterministic generation models [2, 11], enable finer-grained and diverse output generation. Chen et al. [4] proposed a motion latent-based diffusion model to enhance generative quality and reduce computational costs. However, the misalignment between natural language and human motions presents challenges. Lu et al. [34] introduced the Text-aligned Whole-body Motion generation framework to address these issues by generating high-quality, diverse, and coherent facial expressions, hand gestures, and body motions simultaneously.

2.3 Audio to Motion Generation

Audio-to-motion Dataset. Co-Speech Datasets can be classified into 1: pseudo-labeled (PGT) and 2: motion-captured (mocap). PGT datasets [3, 15, 12, 68] utilize disconnected 2D or 3D key points to

represent the body, allowing extracting at a lower cost but with limited accuracy. On the other hand, mocap datasets provide annotations for limited body parts, with some focusing solely on the head [9, 5, 65] or the body [57, 10]. Differing from them, BEATX [31] contains mesh data of both head and body. However, these datasets typically focus on speech to motion generation. Our RapVerse, in contrast, contains paired text-vocal-motion data, enabling simultaneous motion and vocal generation.

Audio-to-motion Models. Audio-to-motion models [59, 56, 72, 31, 68] aim to produce human motion from audio innputs. Recognizing the intricate relationship between audio and human face, TalkSHOW [68] separately generates face parts and other body parts. However, this approach exhibits limitations, such as the absence of generating lower body and global motion. EMAGE [31] utilizes masked gestures together with vocals for a generation. Our model, however, goes a step further by being the first to generate paired audio-motion data directly from text.